Published at Wednesday, July 31st 2019, 07:41:29 AM. Speaker Stands. By Ekerd Werner.
If you already have a speaker stand with spikes and your floor is made of wood, then you should consider putting some form of isolation platform between the speaker and the stand, to prevent the cabinet vibrations reaching the stand and, through it, the floor. Avoid flimsy stands that move or rock when you touch them. If the final assembly doesn’t feel completely solid, avoid it.
You may have noticed that some speaker stands are fitted with spikes on the base, which help to make a rigid and stable contact with the floor. As long as the stands are both robust and stable, this strategy works well on solid floors, but you may find that it causes problems on wooden floors, due to vibrations from the speaker cabinet being transferred to the floor via the rigid stand and spikes. The floor will then act as the king of soundboards!
A speaker platform is designed primarily to provide a degree of mechanical isolation between the speaker and the surface upon which it is placed, while keeping the speaker firmly in place. This is particularly important when siting speakers on lightweight desks or shelves, as these can easily be set into vibration if in direct contact with a speaker cabinet.
Furthermore, in accordance with Newton’s third law of motion (each action has an equal and opposite reaction), whenever the speaker cone moves in one direction it will try to push the speaker cabinet the other way.
The HMS Series is considered to be Audiophile level by many and incorporates a significant increase in mass loading capacity and designed with very high quality speakers in mind such ProAc and other premium manufactures.
The theory is that the mass and spring characteristics are chosen so that the resonant frequency of the combination is well below that of any frequency they’re likely to be asked to isolate. For example, if the lowest note a speaker can reproduce is 30Hz, then the resonant frequency of the supporting platform needs to be well below that — perhaps just a few Hertz or less.
If the output from the sub seems uneven, you need to try and find a location where it produces a less lumpy response. A good tip for doing this is to temporarily place the sub where you normally sit to mix, and then listen at different places around the edges of the room while playing back a same level chromatic (semitone) scale of sine waves from a sampler until you find the spot that produce the most consistent level across all notes.