By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:08:56 PM.
Furthermore, in accordance with Newton’s third law of motion (each action has an equal and opposite reaction), whenever the speaker cone moves in one direction it will try to push the speaker cabinet the other way.
Fortunately, we don’t need to balance the speaker on actual springs, as a suitably dense piece of acoustic foam can act as both spring and damper. The speaker cabinet provides mass — so sitting a speaker cabinet directly onto a piece of foam, such as an Auralex MoPad, will bring about an improvement in the amount of vibrational energy getting through to the desk. However, foam isn’t particularly rigid, so the cabinet may still tend to move back and forth slightly as the speaker cones move, especially if the speaker cabinet isn’t particularly heavy.
We tend to think of a loudspeaker as a fixed box that produces sound directly from the moving cones of the speakers (and, where the speaker is ported, from the port as well). Although that is certainly where most of the sound comes from, the reality is that no matter how rigid the cabinet is there will also be some vibration of the cabinet walls.
There you have it; the basics of why you should consider stands for your bookshelf speakers. As with much in hi-fi, this is only the introduction to a massive subject, but it serves as a good understanding of stands function and what they can do for your hi-fi system. And they can do a lot for providing your speakers with the optimal condition for top-notch performance.
If you visit the various hi–fi forums you’ll find a number of conflicting views on what the best material to use is, but there’s often little to back up people’s claims, and I’d suggest that that way lies madness! Dry playground sand works just fine, and you can even leave it inside plastic bags if you wish to avoid things getting messy.
If the output from the sub seems uneven, you need to try and find a location where it produces a less lumpy response. A good tip for doing this is to temporarily place the sub where you normally sit to mix, and then listen at different places around the edges of the room while playing back a same level chromatic (semitone) scale of sine waves from a sampler until you find the spot that produce the most consistent level across all notes.