By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:08:39 PM.
So, what should you do instead? We’ve talked to our product team to learn more – and the solution is stands. Sideboards, tables and chairs are out of the question, too. Speaker stands are specifically designed to bring the best out of your speakers by managing vibrations, reducing early reflections and ensuring the proper amount of treble. Together with our Product Manager - Home, Otto Jørgensen, we’ve taken a look at the fundamentals.
No, it’s not because we don’t like your bookshelf. It’s probably really good looking. But, bookshelves, sideboards, TV-boards and tables all share a common drawback: surfaces. You don’t want surfaces close to your speakers, as surfaces can cause early reflections that colour and distort the sound image – that’s also why we recommend getting your speakers away from corners and walls.
Fortunately, we don’t need to balance the speaker on actual springs, as a suitably dense piece of acoustic foam can act as both spring and damper. The speaker cabinet provides mass — so sitting a speaker cabinet directly onto a piece of foam, such as an Auralex MoPad, will bring about an improvement in the amount of vibrational energy getting through to the desk. However, foam isn’t particularly rigid, so the cabinet may still tend to move back and forth slightly as the speaker cones move, especially if the speaker cabinet isn’t particularly heavy.
Where vibrations are allowed to leak into any studio furniture or wooden floors, the audible result is often a blurring of the bass and lower mid range, as well as a deterioration in the stereo image. By using an appropriate stand or platform, the bass end should tighten up to a very noticeable degree, leaving the mids sounding clearer and the imaging better defined.
Whether you use stands or platforms depends on what else you have in your system: usually you’ll pick whichever makes it easiest to get your speakers into the right physical position without them being occluded by other equipment, such as computer screens.
The theory is that the mass and spring characteristics are chosen so that the resonant frequency of the combination is well below that of any frequency they’re likely to be asked to isolate. For example, if the lowest note a speaker can reproduce is 30Hz, then the resonant frequency of the supporting platform needs to be well below that — perhaps just a few Hertz or less.