By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:08:13 PM.
No, it’s not because we don’t like your bookshelf. It’s probably really good looking. But, bookshelves, sideboards, TV-boards and tables all share a common drawback: surfaces. You don’t want surfaces close to your speakers, as surfaces can cause early reflections that colour and distort the sound image – that’s also why we recommend getting your speakers away from corners and walls.
You may have noticed that some speaker stands are fitted with spikes on the base, which help to make a rigid and stable contact with the floor. As long as the stands are both robust and stable, this strategy works well on solid floors, but you may find that it causes problems on wooden floors, due to vibrations from the speaker cabinet being transferred to the floor via the rigid stand and spikes. The floor will then act as the king of soundboards!
Centre Channel speakers require dedicated stands as they tend to be of unconventional dimensions. The CC Series provides that solution and are available in a wide range of height options.
An isolation platform works in a similar way to a car’s suspension, and comprises three mechanical components: a spring, a mass supported by the spring, and some form of damping to prevent the sprung mass from continuing to bounce around. In a car you have the springs between the axles and the car body: the car body provides the mass and the shock absorbers provide the damping, to stop you having a bouncy ride.
You can make a speaker move less in many different ways, and one of those is by adding more mass to the speaker and the stand; making it harder for the speaker to move. That’s why you’ll find a sand compartment in most stands.
If the output from the sub seems uneven, you need to try and find a location where it produces a less lumpy response. A good tip for doing this is to temporarily place the sub where you normally sit to mix, and then listen at different places around the edges of the room while playing back a same level chromatic (semitone) scale of sine waves from a sampler until you find the spot that produce the most consistent level across all notes.