By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:08:35 PM.
And according to Otto Jørgensen, this is where you have the most to gain from acquiring a pair of speaker stands: “The most impactful benefit of getting stands is added distance between your speakers and surfaces. It keeps early reflections to a minimum. And that’s especially important for the speakers’ low-end performance.”
There you have it; the basics of why you should consider stands for your bookshelf speakers. As with much in hi-fi, this is only the introduction to a massive subject, but it serves as a good understanding of stands function and what they can do for your hi-fi system. And they can do a lot for providing your speakers with the optimal condition for top-notch performance.
Centre Channel speakers require dedicated stands as they tend to be of unconventional dimensions. The CC Series provides that solution and are available in a wide range of height options.
You could just plonk your speaker onto the top of your chosen stand, of course, but it’s best to have the speaker fixed to the stand in some way, because otherwise it can slide around. One popular and effective method is to place blobs of Blu–Tack under each corner; this acts as both a removable adhesive and as a damping medium. Another alternative is to use high–friction rubber matting, of the type sold for workshops and kitchens.
To sum up, the platforms with a heavy plate of some type on top are the most effective, though you can add mass very easily to any type of support by using floor tiles. Similarly, the more massive and better damped a speaker stand, the less vibrational energy is likely to make it through to the floor and less the stand itself will vibrate. Compared with the cost of speakers, adding suitable stands or platforms is relatively inexpensive, yet it can make a very worthwhile improvement to the overall sound quality!
That’s where you need to put the sub. If your sub has a phase adjustment knob, or a polarity–invert switch, adjust this until you hear the loudest result from frequencies around the crossover point, typically 80 to 120 Hz.