By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:04:50 PM.
Centre Channel speakers require dedicated stands as they tend to be of unconventional dimensions. The CC Series provides that solution and are available in a wide range of height options.
We tend to think of a loudspeaker as a fixed box that produces sound directly from the moving cones of the speakers (and, where the speaker is ported, from the port as well). Although that is certainly where most of the sound comes from, the reality is that no matter how rigid the cabinet is there will also be some vibration of the cabinet walls.
You could just plonk your speaker onto the top of your chosen stand, of course, but it’s best to have the speaker fixed to the stand in some way, because otherwise it can slide around. One popular and effective method is to place blobs of Blu–Tack under each corner; this acts as both a removable adhesive and as a damping medium. Another alternative is to use high–friction rubber matting, of the type sold for workshops and kitchens.
One way to improve the situation is to add mass by means of a platform fixed to the top surface of the foam. Primacoustic do this in their Recoil Stabilizer by using a very thick steel slab with rubber matting on top, while Auralex and other companies use MDF topped with dense rubber on their more up–market platforms. IsoAcoustics take yet a different approach, by using a frame made from rigid components joined by resilient isolators.
You can make a speaker move less in many different ways, and one of those is by adding more mass to the speaker and the stand; making it harder for the speaker to move. That’s why you’ll find a sand compartment in most stands.
One of the roles of an effective speaker support is to prevent such vibrations from being transferred into other structures, such as wooden floors, desktops, shelves or mixer meterbridges. It should also hold the speaker as firmly as possible, to reduce movement due to the action/reaction effect.