By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:03:28 PM.
If the output from the sub seems uneven, you need to try and find a location where it produces a less lumpy response. A good tip for doing this is to temporarily place the sub where you normally sit to mix, and then listen at different places around the edges of the room while playing back a same level chromatic (semitone) scale of sine waves from a sampler until you find the spot that produce the most consistent level across all notes.
We might call them bookshelf speakers, but does that mean it’s a good idea to put them on one? Nothing is stopping you from doing it, but it’s your sound performance that’s at stake – and there’s much to lose – and, if you’ve just shelled out a significant amount for your new speakers, it’s a bad start to what should be a great investment.
The range begins with the award winning Nexus Series, a three column design made for the HiFi enthusiast. As with all Atacama speaker stands, Nexus allows you to increase the mass of the stand by filling the largest column with Atabites.
Speaker positioning is critical when it comes to creating the ideal soundscape. KEF Performance Speaker Stands were engineered in the UK specifically to ensure bookshelf speakers sound at their best. This encompasses ideal driver height positioning, steel damping plates accompanied by aluminium tube and base plates, and space available for the addition of inert filler for further stability. The Performance Speaker Stand is ideal for the LS50 and LS50 Wireless, but can also be utilised by other KEF Bookshelf Speakers.
No, it’s not because we don’t like your bookshelf. It’s probably really good looking. But, bookshelves, sideboards, TV-boards and tables all share a common drawback: surfaces. You don’t want surfaces close to your speakers, as surfaces can cause early reflections that colour and distort the sound image – that’s also why we recommend getting your speakers away from corners and walls.
The theory is that the mass and spring characteristics are chosen so that the resonant frequency of the combination is well below that of any frequency they’re likely to be asked to isolate. For example, if the lowest note a speaker can reproduce is 30Hz, then the resonant frequency of the supporting platform needs to be well below that — perhaps just a few Hertz or less.