By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:03:24 PM.
Fortunately, we don’t need to balance the speaker on actual springs, as a suitably dense piece of acoustic foam can act as both spring and damper. The speaker cabinet provides mass — so sitting a speaker cabinet directly onto a piece of foam, such as an Auralex MoPad, will bring about an improvement in the amount of vibrational energy getting through to the desk. However, foam isn’t particularly rigid, so the cabinet may still tend to move back and forth slightly as the speaker cones move, especially if the speaker cabinet isn’t particularly heavy.
Speaker positioning is critical when it comes to creating the ideal soundscape. KEF Performance Speaker Stands were engineered in the UK specifically to ensure bookshelf speakers sound at their best. This encompasses ideal driver height positioning, steel damping plates accompanied by aluminium tube and base plates, and space available for the addition of inert filler for further stability. The Performance Speaker Stand is ideal for the LS50 and LS50 Wireless, but can also be utilised by other KEF Bookshelf Speakers.
And, of course, it needs to put the speaker in the correct position relative to the listener, which usually means with the tweeter aimed at an imaginary point just behind the listener’s head. Note, though, that a few speakers are deliberately designed to be aimed directly ahead rather than at the listener, so always check the recommendations in the manual that comes with your particular loudspeaker before directing them inwards.
Centre Channel speakers require dedicated stands as they tend to be of unconventional dimensions. The CC Series provides that solution and are available in a wide range of height options.
If the output from the sub seems uneven, you need to try and find a location where it produces a less lumpy response. A good tip for doing this is to temporarily place the sub where you normally sit to mix, and then listen at different places around the edges of the room while playing back a same level chromatic (semitone) scale of sine waves from a sampler until you find the spot that produce the most consistent level across all notes.
Of course, you do still need to attend to room reflections by adding some basic acoustic treatment — but that’s another subject and one that we have covered on numerous occasions in our Studio SOS series.