By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:03:14 PM.
Where vibrations are allowed to leak into any studio furniture or wooden floors, the audible result is often a blurring of the bass and lower mid range, as well as a deterioration in the stereo image. By using an appropriate stand or platform, the bass end should tighten up to a very noticeable degree, leaving the mids sounding clearer and the imaging better defined.
If you visit the various hi–fi forums you’ll find a number of conflicting views on what the best material to use is, but there’s often little to back up people’s claims, and I’d suggest that that way lies madness! Dry playground sand works just fine, and you can even leave it inside plastic bags if you wish to avoid things getting messy.
Speaker positioning is critical when it comes to creating the ideal soundscape. KEF Performance Speaker Stands were engineered in the UK specifically to ensure bookshelf speakers sound at their best. This encompasses ideal driver height positioning, steel damping plates accompanied by aluminium tube and base plates, and space available for the addition of inert filler for further stability. The Performance Speaker Stand is ideal for the LS50 and LS50 Wireless, but can also be utilised by other KEF Bookshelf Speakers.
That’s where you need to put the sub. If your sub has a phase adjustment knob, or a polarity–invert switch, adjust this until you hear the loudest result from frequencies around the crossover point, typically 80 to 120 Hz.
Many stands come with a compartment dedicated to sand and similarly heavy and well-damped materials. And there’s method in the madness. You see, the speaker plays music by moving its drive unit in and out to create sound pressure: when the drive unit pushes outwards, it creates sound pressure, but when it moves inwards it pushes the entire speaker backwards.
One way to improve the situation is to add mass by means of a platform fixed to the top surface of the foam. Primacoustic do this in their Recoil Stabilizer by using a very thick steel slab with rubber matting on top, while Auralex and other companies use MDF topped with dense rubber on their more up–market platforms. IsoAcoustics take yet a different approach, by using a frame made from rigid components joined by resilient isolators.