By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:03:10 PM.
Fortunately, we don’t need to balance the speaker on actual springs, as a suitably dense piece of acoustic foam can act as both spring and damper. The speaker cabinet provides mass — so sitting a speaker cabinet directly onto a piece of foam, such as an Auralex MoPad, will bring about an improvement in the amount of vibrational energy getting through to the desk. However, foam isn’t particularly rigid, so the cabinet may still tend to move back and forth slightly as the speaker cones move, especially if the speaker cabinet isn’t particularly heavy.
There you have it; the basics of why you should consider stands for your bookshelf speakers. As with much in hi-fi, this is only the introduction to a massive subject, but it serves as a good understanding of stands function and what they can do for your hi-fi system. And they can do a lot for providing your speakers with the optimal condition for top-notch performance.
To sum up, the platforms with a heavy plate of some type on top are the most effective, though you can add mass very easily to any type of support by using floor tiles. Similarly, the more massive and better damped a speaker stand, the less vibrational energy is likely to make it through to the floor and less the stand itself will vibrate. Compared with the cost of speakers, adding suitable stands or platforms is relatively inexpensive, yet it can make a very worthwhile improvement to the overall sound quality!
Atacama offer a wide range of speaker stands with a choice of colours, dimensions and style to satisfy most requirements .
If you already have a pair of simple foam speaker platforms, you can improve their performance simply by gluing a heavy floor tile to the top. Ordinary contact adhesive works fine for this. Then you can either glue some kitchen mat to the upper surface, to provide some grip, or use Blu–Tack, as discussed earlier, between the tile and the loudspeaker.
The theory is that the mass and spring characteristics are chosen so that the resonant frequency of the combination is well below that of any frequency they’re likely to be asked to isolate. For example, if the lowest note a speaker can reproduce is 30Hz, then the resonant frequency of the supporting platform needs to be well below that — perhaps just a few Hertz or less.