By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:02:19 PM.
Of course, you do still need to attend to room reflections by adding some basic acoustic treatment — but that’s another subject and one that we have covered on numerous occasions in our Studio SOS series.
One way to improve the situation is to add mass by means of a platform fixed to the top surface of the foam. Primacoustic do this in their Recoil Stabilizer by using a very thick steel slab with rubber matting on top, while Auralex and other companies use MDF topped with dense rubber on their more up–market platforms. IsoAcoustics take yet a different approach, by using a frame made from rigid components joined by resilient isolators.
The stand features a simple and elegant style that allows it to blend in neatly into the décor of any home. An integrated cable management system allows myriad cables to be hidden away within the stands to create a clean look, which is ideal for bookshelf speakers that are connected to a wide range of audio sources.
The HMS Series is considered to be Audiophile level by many and incorporates a significant increase in mass loading capacity and designed with very high quality speakers in mind such ProAc and other premium manufactures.
Fortunately, we don’t need to balance the speaker on actual springs, as a suitably dense piece of acoustic foam can act as both spring and damper. The speaker cabinet provides mass — so sitting a speaker cabinet directly onto a piece of foam, such as an Auralex MoPad, will bring about an improvement in the amount of vibrational energy getting through to the desk. However, foam isn’t particularly rigid, so the cabinet may still tend to move back and forth slightly as the speaker cones move, especially if the speaker cabinet isn’t particularly heavy.
You could just plonk your speaker onto the top of your chosen stand, of course, but it’s best to have the speaker fixed to the stand in some way, because otherwise it can slide around. One popular and effective method is to place blobs of Blu–Tack under each corner; this acts as both a removable adhesive and as a damping medium. Another alternative is to use high–friction rubber matting, of the type sold for workshops and kitchens.