By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:02:16 PM.
Speaker positioning is critical when it comes to creating the ideal soundscape. KEF Performance Speaker Stands were engineered in the UK specifically to ensure bookshelf speakers sound at their best. This encompasses ideal driver height positioning, steel damping plates accompanied by aluminium tube and base plates, and space available for the addition of inert filler for further stability. The Performance Speaker Stand is ideal for the LS50 and LS50 Wireless, but can also be utilised by other KEF Bookshelf Speakers.
Thus, the sand provides dampening, but it also prevents the stand from ringing when it’s excited by the right frequencies – another handy little add-on.
And stands do more than combatting early reflections. They also provide what’s called decoupling between your speakers and the floor (which is also known as mechanical isolation). We will let Otto describe their construction: “Take your typical Dynaudio Stand; you have feet with either spikes for solid floors or rubber for wooden ones at the bottom. Then you have a base plate that manages vibrations. Also, large base plates with feet far apart are more stable, making it harder for the speakers to fall over.
Whether you use stands or platforms depends on what else you have in your system: usually you’ll pick whichever makes it easiest to get your speakers into the right physical position without them being occluded by other equipment, such as computer screens.
You could just plonk your speaker onto the top of your chosen stand, of course, but it’s best to have the speaker fixed to the stand in some way, because otherwise it can slide around. One popular and effective method is to place blobs of Blu–Tack under each corner; this acts as both a removable adhesive and as a damping medium. Another alternative is to use high–friction rubber matting, of the type sold for workshops and kitchens.
That’s where you need to put the sub. If your sub has a phase adjustment knob, or a polarity–invert switch, adjust this until you hear the loudest result from frequencies around the crossover point, typically 80 to 120 Hz.