By Wilde Becker. Speaker Stands. At Tuesday, July 30th 2019, 19:02:14 PM.
The theory is that the mass and spring characteristics are chosen so that the resonant frequency of the combination is well below that of any frequency they’re likely to be asked to isolate. For example, if the lowest note a speaker can reproduce is 30Hz, then the resonant frequency of the supporting platform needs to be well below that — perhaps just a few Hertz or less.
And stands are especially helpful in the low-frequency area, as this part of the frequency spectrum is omnidirectional and therefore more sensitive to surfaces nearby than the high-frequency area.
The range begins with the award winning Nexus Series, a three column design made for the HiFi enthusiast. As with all Atacama speaker stands, Nexus allows you to increase the mass of the stand by filling the largest column with Atabites.
Where vibrations are allowed to leak into any studio furniture or wooden floors, the audible result is often a blurring of the bass and lower mid range, as well as a deterioration in the stereo image. By using an appropriate stand or platform, the bass end should tighten up to a very noticeable degree, leaving the mids sounding clearer and the imaging better defined.
Thus, the sand provides dampening, but it also prevents the stand from ringing when it’s excited by the right frequencies – another handy little add-on.
That’s where you need to put the sub. If your sub has a phase adjustment knob, or a polarity–invert switch, adjust this until you hear the loudest result from frequencies around the crossover point, typically 80 to 120 Hz.