Published at Thursday, July 25th 2019, 02:16:45 AM. Speaker Stands. By Conradina Scholz.
The range begins with the award winning Nexus Series, a three column design made for the HiFi enthusiast. As with all Atacama speaker stands, Nexus allows you to increase the mass of the stand by filling the largest column with Atabites.
That’s where you need to put the sub. If your sub has a phase adjustment knob, or a polarity–invert switch, adjust this until you hear the loudest result from frequencies around the crossover point, typically 80 to 120 Hz.
Where vibrations are allowed to leak into any studio furniture or wooden floors, the audible result is often a blurring of the bass and lower mid range, as well as a deterioration in the stereo image. By using an appropriate stand or platform, the bass end should tighten up to a very noticeable degree, leaving the mids sounding clearer and the imaging better defined.
An isolation platform works in a similar way to a car’s suspension, and comprises three mechanical components: a spring, a mass supported by the spring, and some form of damping to prevent the sprung mass from continuing to bounce around. In a car you have the springs between the axles and the car body: the car body provides the mass and the shock absorbers provide the damping, to stop you having a bouncy ride.
We tend to think of a loudspeaker as a fixed box that produces sound directly from the moving cones of the speakers (and, where the speaker is ported, from the port as well). Although that is certainly where most of the sound comes from, the reality is that no matter how rigid the cabinet is there will also be some vibration of the cabinet walls.
If you already have a pair of simple foam speaker platforms, you can improve their performance simply by gluing a heavy floor tile to the top. Ordinary contact adhesive works fine for this. Then you can either glue some kitchen mat to the upper surface, to provide some grip, or use Blu–Tack, as discussed earlier, between the tile and the loudspeaker.
If the output from the sub seems uneven, you need to try and find a location where it produces a less lumpy response. A good tip for doing this is to temporarily place the sub where you normally sit to mix, and then listen at different places around the edges of the room while playing back a same level chromatic (semitone) scale of sine waves from a sampler until you find the spot that produce the most consistent level across all notes.